The Circle & The Public Storyteller : Solo Exhibition, National Theater of Flanders, part of Kunstenfestivaldesarts, Bruxelles

Summary, in English

In 1974, amidst a hunger strike by undocumented workers in Paris, the Movement of Arab Workers created a singular political action: presenting a candidate for the imminent presidential elections. They chose a member of their Al Assifa theatre group, an 18-year-old Tunisian hunger striker using the pseudonym Djellali Kamal. The campaign was conceived as a public performance highlighting the denial of civil rights to migrants and projecting self-agency. Artist Bouchra Khalili now creates a video installation, consisting of two video works that form a unique dialogue reconnecting distant geographies and times. With The Circle, she reconstructed the incredible adventure of this powerful action from fifty years ago. With The Public Storyteller, a new commission by the festival, she films a halqa, a centuries-old practice of public storytelling in Morocco, to people arranged in a circle. In this halqa, Djellali’s campaign is narrated by a storyteller in Marrakesh, implicitly forming a new circle linking the diaspora and North Africa. What does this gap between 1974 and 2024 tell us, a few days before a new election? How can invisibilised identities become visible? Khalili emphasises the importance of remembering past political strategies as a practice of intergenerational transmission for the present and future.

• Other contributions: Bouchra Khalili
• Avdelning/ar: Konsthögskolan i Malmö
• Publiceringsår: 2024-05-27
• Språk: Engelska
• Dokumenttyp: Konstnärligt arbete
• Förlag: Kunstenfestivaldesarts
• Ämne: Visual Arts
• Aktiv: Published