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Tidigare kurser

Jim Shaw & Marnie Weber Heaven or Hell

Axel Lieber No Budget-Paradise

Jeff Wiesniewski Use all Possibilities

Sam Taylor Wood Young British Art 

Mary Kelly, Gertud Sandqvist & Ann-Sofi Siden Hysteri, det kvinnliga, psykoanalys och bildkonst

Lars Nilsson Svara mig!

Anette Abrahamsson, Marianna Uutinen, Nina Roos, Olav Christopher Jenssen, Luc Tuymans Måleri på 90-talet

Axel Lieber, Bernhard Gerbert, Ralf Samens, Eva Löfdahl, Daniel Birnbaum, Eva Schnidt Skulptur på 90-taley

Danioel Frye Special effects

Hans hamid Rasmussen Skulptur och trädgård

Jason Rhoades Workshop

Mats Stjernstedt Konsthistoria

Mats Furberg, Nils-Eric Sahlin & Gertrud Sandqvist Närläsningar ur Tractatus och filosofiska undersökningar

Gertud Sandqvist Grundbegrepp i konstteori - från det Sublima till Dekonstruktion

Gertud Sandqvist Kritisk teori i förhållande till det egna verket

Hans Ekelund Sv/v fotografi

P-O Persson & Robert Cassland Svetsning

Per-Anders Jörgensen Ljussättning

Magnus Welinder Videoredigering

Arnold Hagström Polymerteknik

Martin Rogberg Datakurs

P-O Persson & Robert Cassland Bronsgjutning

Peter Ragnarsson och Arnold Hagström Reproteknik

Arnold Hagström Screen

P-O Persson & Robert Cassland Silicon

Ole Larsen Avancerad grafisk kurs

Magnus Digital videoredigering

Leif Alsheimer Ekonomi och juridik för konstnärer

Lars Nilsson Answer Me

Axel Lieber, P-O Persson Warm Up

Direk Skrebner, Anette Abrahansson Painting in the 1990s

B.H.K. Gutmann, Axel Lieber The Table Object and Location of Action

Bernd Kastner, Michel Francois, Mats Stjernstedt, Axel Lieber Sculpture

Rachel Khedoori Some Place

Jim Shaw, Marnie Weber Narrative Structures

Mitsuko Miwa Mechanisms of History

Tommy Lindholm The History of Film

Gertrud Sandqvist Artistic Language

Mats Stjernstedt Young British contemporary Art

Abigail Solomon-Godeau Representation, and the Politics of the Gaze

Gertrud Sandqvist Theory and One´s Own Work of Art

Gertrud Sandqvist The Seminars Around Recent Literature

Leif Alsheimer Accounting and Intellectual Property Law for Artists

Daniel Frye Special Effects

Michael Wade, Fiona Jones Body Casts, Wax Casts, Colouring

Line Waelgaard C-print

David Skoog Black-andWhite Photography

Niels Borch-Jensen, David Skoog Polymers / Photogravure

Jörgen Hansen Silk-Screen

Peter Sjöblom Large-Size Copperplate

Magnus Welinder Computer Graphics

Niels Borch-Jensen, Katrin von Maltzahn, Al Taylor Graphic Techniques

Lars Henric Ståhl Model Building

Robert Cassland Welding

Alf Lundberg Glass

Richford Ekholm Silicon

Robert Cassland Aluminum and Bronze

Casting Robert Cassland, P-O Persson Ceramics, Glass and Aluminium

Richford Ekholm Concrete Sculpture in the Public Space

Lars Ramberg Anlagd

Lars Ramberg Public Spaces - Sölvesborg

Liisa Roberts Monument / Gesture

Mark Kremer, Berend Strik Urban Angel

Eran Schaerf, Eva Meyer Folding and Cutting: A Scenario for Editing

Jimmie Durham Workshop

Michel Majerus Wall Painting

Jim Shaw, Marnie Weber Sound Project

Paul Osipow Painting

Kristjàn Gudmundsson Visiting Artist

Jan-Olov Nilsson, José Pacheco & Gertrud Sandqvist Cultural Studies

Måns Holst-Ekström & Mats Stjernstedt The History of Art

Gertrud Sandqvist The Unconsious and its Mechanisms

Gertrud Sandqvist George Bataille

Gertrud Sandqvist Theory of One´s Own Art Work

Gertrud Sandqvist Individual Theory Project

Line Waelgaard Colour Photography

Maria Hedlund To Describe One´s Work in a Technique One Does Not Normally Use

Peter Sandegård & Sophie Ljungblom The Computer and Video Studio

P-O Persson Construction Project

Lars-Henric Ståhl Architectural Models

Robert Cassland Glass Casting

Robert Cassland Silicone

P-O Persson Plastic

Robert Cassland Aluminium Casting

Per Pålsson Carpeting

Leif Alsheimer Economics and Law for Artists

Charles Esche The Glasgow Project

P-O Persson Construction Project II

Liisa Roberts Artistic Creation: Parameters and Presentation

Michael Elmgren & ingar Dragset Performance Workshop

Maria Hedlund & Pedro Bartolomeo Photo, Video and Private-Room Workshop

Niels Bonde You Press the Button, We Do the Rest

Anette Abrahansson Placing the Work in the Space

Anette Abrahansson & P-O Persson Alternative Space

Sharon Lockhart & Alex Slade Everyday Movement in Every Day Spaces

Lars Ramberg Angel

Gertrud Sandqvist Lacan Seminary

Åsa Nacking Film and Art

Leif Alshemier Economics and Law

Måns Holst-Ekström Antiquity:Ideal and Praxis

Gertrud Sandqvist & Jeanette Christensen Feminism: Sex vs gender

Gertud Sandqvist Theorizing on One´s Own Work

P-O Persson Plastics

Maria Hedlund Photography

P-O Persson Silicone

Peter Sandegård Digital Media

Laura Mulvey, Peggy Phelan, Friedrich Meschede, Denise Robinson Lecturer at Deathdrive: Psychoanalysis and Art

Jeanne Dunning Workshop

Doug Ishar Space, Time, Sound and Visual

Natahalie Melikian Create a Short Film & Film Project

Lars Nilsson & Niclas Malmstöm Falling

Alex Slade The Sculptural in Photography

Jan Svenungsson Photographic Quality

Simon Starling Shift

Liesbet Bik & jos van der Pol Workshop

Jimmie Durham, Mary Beth Edelson, Renée Green, Sharon Lockhart & Collier Schorr Borders

Tommy Lindholm Film Theory: Feelings and Style

Gertrud Sandqvist Barthes seminar: Systems, Critics, Biography Cultural Studies: Affect in Social Space, a collaboration between the Department of Sociology, Lund university; the Institute ofof Nordic Philology, CopenhagenUniversity; the Royal Danish Academy of Fine Art & Malmö Art academy

Nils-Eric Sahlin Seven Philosophical Questions

Simon Sheik Art History: The 20th Century

Gertrud Sandqvist Theory in Relation to Your own Artwork

Clementine deliss Metronome and Magnetic Speech

Leif Alsheimer Economy and Law for Artists

Niels Bonde Web Affect

Maria Hedlund Photography

P-O Persson Plastic

Robert Cassland & P-O Persson Silicone

Kent Olofsson Sound

Robert Cassland & P-O Persson Glass

Cire-Perdue Moulding

Magdolna Szabo Basic Course in Water Based Seriegraphy

Matts Leiderstam & Anette Abrahamsson Teckningskurs

Willie Doherty Workshop

Matts Leiderstam, Liesbeth Bik & Jos van der Pol  Bo01, projekt, utställning

Simon Sheik Videoformer

Måns Holst-Ekström Konsthistoria II

Gertrud Sandqvist Teori kring eget verk

Shepherd Steiner Irony, Workshop

Simon Sheik, Gertrud Sandqvist, Maria Lindh, Anders Kreuger Samtidskonst

 Gertrud Sandqvist Textseminarium

 Sophie Ljungblom Video Media

P-O Persson Algenatgjutning

Kjell Björn Ekonomi och juridik

P-O Persson Plastkurs

Maria Hedlund Foto, storformatkamera

Davor Percic Data

Basim Albasim Video

Maria Hedlund  Fotografi

Niels Bonde Animation

Jimmie Durham Communicating, or, What sort of thing is it?

Annika Eriksson Texts by Maria Lind

Jens Fänge The Portrait

Fredrik Strid Kuno-courses

Torbjörn Limé The exhibition space as artistic tool - One -day-stands

Axel Lieber Our Place

Stefan Karlsson Art-music or music-art

Michael Levin Malmö Flaneurie

Morgan Fisher Time & Shadows

Maria Hedlund Public / Private

Lars Nilsson P-O Persson Gertrud Sandqvist Close Readings - Walter Benjamin

Simon Sheikh Art and politics

Berend Strik & One Architects Tourette House

Sophie Tottie Andrea Geyer & Sharon Heyes cambio de lugar_change of place

Bettina Camilla Vestergaard Fra gruppe til Zusammenhang - Berlins politiske undergrund

Sharon Hayes & Andrea Geyer Collective identities and narratives of nation

Matthew Buckingham Universal time and the present moment

Peter Robinson Site Specific Installation Workshop

Annika Karlsson Rixon Content and Context. Disorder and Disorioentation

Dolòres Zinny & Maidàgan Människan och det dokumentära

Måns Holst-Ekström Workshop

Gertrud Sandqvist Art History

Gertrud Sandqvist Teori kring eget verk

 Close Reading George Bataille

Kjell Björn Economy and jurisdiction for artists

Jens FängeSamtal om måleri
Maria Hedlund Large format photography

P-O Persson & Robert Cassland Plast (polyester) kurs

P-O Persson Glas och silikonkurs

Kim Borreby Video animation course

Niels Bonde & Ronny Hansson Introduktion till webdesign

Zhiyuan Cui, Stefan Jonsson & Sarat Maharaj Zarina Bhimji, Annika Vik, Lars T. Mikkelsen, Hale Tenger, Stephan Pascher, Nana Petzner, Alec Finlay, Friedrich Meschede On Art. Democracy and Economy

Robert Moreau Axel Lieber & BKH Gutman Scale-Model Workshop

Stefan Klaverdal Table Project

Dennis Adams Digital Sound Processing

Jens Haaning Out of Step Constructing Nomadic Urban Identities

Michael Levin Workshop

Stephan pascher Street Photography, A Prehistory of the Urban Society

Lars T. Mikkelsen Refigurating Private and Public Life: Art and the problem of Authority

Mika Hannula Trevnad - 05

Lene Crone Jensen It´s A as in Activae!

Marion Bösen Speak Up!, Malmö

P-O Persson Screenprint

Sven Yngve Oscarsson Silicone and Glass Course

Gertrud Sandqvist A little course on the art of plug-in

Sharon Hayes & Andrea Geyer Delays and retakes: The artworld´s important 11 years

Jens Fänge Gayatri Chakravorty Spivak Reading Group

Måns Holst-Ekström Samtal om måleri

Lynne Cooke, Okwui Enwezor, Jens Hoffmann, Maria Lind, Sarat Maharaj, Dolòres Zinny & Juan Maidàgan, Åsa Nacking, Gertrud Sandqvist Art History III: Capital of the 19th Century

Sarat Maharaj, Lars Nilsson Seminar: Art and Production of Knowledge

Jürgen Bock The Archive

Maria Hedlund Art Goes Public, Seminar/Workshop

Joāo Penalva Nature - Landscape - Museum, a photography project

Mika Hannula Junk, the Moment and Fiction

P-O Persson & Robert Casssland Speak Up!

P-O Persson & Robert Casssland Welding

P-O Persson Silicone and cire-perdue casting

Simon Möller Plastics

Stefan Klaverdal  Digital ljudbearbetningLjudkonst - Electronica - Elektroakustisk komposition

Gertrud Sandqvist Analysis of own work

Nathalie Melikian Close reading Michel Focault

Johan Nobell Discussion on Film

Kjell Björn Economy and Jurisdiction for artists

Yvonne Rainer & Alexander Alberro

Sarat Maharaj, Lars Nilsson Seminar on Conceptual Art

P-O Persson Polyester

P-O Persson & Robert Cassland Welding

PO Persson & Robert Cassland Glass and Silicon (cire-perdue) casting

Emma Reichert & Anna Johansson Administration for Artists 

Marion Bösen Silkscreen 

Kjell Björn Basic law and business skills for arists

Johan Nobell, Olav Christopher Jenssen & Nina Roos Discussions about painting

Andrea Geyer Working or "The Mind is a muscle"

Nathalie Melikian History of experimental film

Henrik Skotte Creative writing

Maria Hedlund  The Inside of the outside

Michael Blum Mock-Dock: Strategies to Undermine the Documentary

Gertrud Sandqvist  Reading course: Jacques Lacan

Alexander Alberro Art After Post Structuralism

Gertrud Sandqvist Analyzing your own artistic work

Emma Reichert & Anna Johansson Administration for Artists- the things you don´t talk about but still ougt to know

Andrea Geyer Working or "The Mind is a muscle"

Gertrud Sandqvist Reading course: Hannah Arendt

Henrik Skotte Creative Writing - a course on why, how and what can be written

Gertrud Sandqvist The Genius - A Figure Under Construction

Kjell Björn Economy & Law

Gertrud Sandqvist, Anders Kreuger Analyzing your own artistic work

Alexander Alberros Discussion on painting

Maria Hedlund Initiate/Translate/Interpret

Alexander Alberros Conceptual Art and After

Andrea Ray Sound Installation: Word and Object

P-O Persson, Robert Cassland Polyester

P-O Persson, Robert Cassland Welding course

Andrea Geyer Sound installation: Word & Object

P-O Persson, Robert Cassland Glass & silicone

Stefan Klaverdal Digital Sound

P-O Persson, Robert Cassland Welding

Måns Holst-Ekström Art History !: Antiquity

Nathalie Melikian, Michael Snow Experimental Film and Video

Sophie Tottie, Matts Leiderstam, Nina Roos, Gertrud Sandqvist, Torsten Andersson, Andreas Eriksson, Viktor Kopp, Per Mårtensson, Rebecca H. Quaytman Discussion on Painting

Maria Hedlund Photographic Views

Andrea Ray Subjectivity: Articulating the Embodied Voice in Art

Magnus Wassborg Dreamweaver

Andrea Geyer Working 1:The Spectator as Spectale

P-O Persson, Robert Moreau Scale Modelling

Måns Holst Ekström Art History 2: Renaissances, Baroque variations and Classisism, ca 1400-1750

Gertrud Sandqvist Close Readings: Non-Linear History

Helena Holmberg, Anna Johansson, Anders Kreuger, Emma Reichert, Yane Calovski, Lars Olof Gustafsson, Lisa Rosendahl Curating for Artists

Kjell Björn Economy and Law for Artists

Matthew Buckingham Art Praxis: Research and Production

Maria Hedlund Photographic Perspectives

Gertrud Sandqvist Theory in Focus: Gilles Deleuze and Fèlix Guattari

Matthew Buckingham  Special Topics in the Moving Image: Vampires, Mummies and Liberals

Andrea Geyer Image/Author/Critic: Politics of Representation

Gertrud Sandqvist Analyzing Your Own Work

Sophie Tottie, Matts Leiderstam, Nina Roos, Gertrud Sandqvist, Viktor Kopp, Cecilia Edefalk, Andreas Eriksson, David Neuman, Bo Nilsson, Annika Öhrner Painting in Focus

 MFA Sound Art

Sarat Maharaj Seminar: Theory/Text

Simon Sheik Which Side Are You ON? Authorship and Alignment

Jee-Eun Kim Practice and Foundation

Julie Ault Theory/practice

Rudi Laermans Exploring "The State of Nature": War, Games, Transgression

Dimitry Vilsensky Seminar: Actualization of Missed Chanses

Soyoung Yoon Cinema, Affect and the Discharge of Thought

Boris Buden Challenging (Cultural) Translation - Translating (Political) Challenge

 MFA Critical Studies, Workshop: Curating - Lunds Konsthall

Rudi Laermans - Ethics or "The Art of Caring for Oneself"

Hito Steyerl Kino Eye: Around Dziga Vertov´s Work

Gertrud Sandqvist: Performing Gender. From Liberation Project to the Discourse of Difference

Jee-Eun Kim Developing Research - conducting a seminar

Jee-Eun Kim, Ewa Einhorn Four Films on Violence and Action. About Hannah Arendt

Lynn Tillman Workshop: Writing Short Stories

P-O Persson Allignate

P-O Persson Plastic

Maria Hedlund, Jan Svenungsson Sophie Tottie, Gertrud Sandqvist, Nina Roos, Matts Leiderstam, Torsten Andersson, Clay Ketter, Astrid Svangren, Viktor Kopp, David Svensson Photographic Perspectives

Andrea Geyer Discussions on painting

Gertrud Sandqvist What to Read?

Gertrud Sandqvist Close Readings: Walter Benjamin and the Arcades Project

Gertrud Sandqvist A Lover's discourse

Jee-Eun Kim Analyzing Your Own Work

Simon Sheikh Workshop in Collaborative Writing, Narratives Across Disciplines

Vyjayanthi Pao Seminar in Writing and Reading

Catalin Gheorghe Seminar on Speculations on Futures Scales and Temporalities of Globalisation

Jee-Eun Kim, Simon Sheikh Thesis Workshop: Conducting a Seminar Around One´s Research

Sven Yngve Oscarsson Electricity: A Little Course in the Art of Connecting

Margot Edström Afte- Effects ideo Post-Production and Animation

P-O Persson, Robert Cassland Glass and Silicone

P-O Persson Plastic

Maria Hedlund Copy - Interpretation

Andrea Geyer Look at It. Contemporary Practice

Måns Holst -Ekström Art History 3: Capitals of the 19th Century

Helena Holmberg, Anna Johansson, Anders Kreuger, Håkan Nyqvist, Emma Reichert Sophie Tottie, Gertrud Sandqvist, Nina Roos, Matts Leiderstam, Karin Mamma Andersson, Vincent G´skens, Curating for Artists: Projects, Financing and Other Things

Viktor Kopp, Amy Sillman, Jan Verwoert, Sven olof Wallenstein Focus on Painting

Gertrud Sandqvist  Analyzing Your Own Work

P-O Persson, Robert Cassland  Welding

Sven Yngve Oscarsson Electricity

P-O Persson Plastic

Joachim Koester Artists Writings

Olav Christopher Jenssen, Viola Vahrson, Gertrud Sandqvist Escape

Viktor Kopp Painting Course

Haegue Yang "Relatives" on One´s Own Practice

Henriette Huldisch Antal Art History. Introduction to Art and the Moving Image

Geza Antal Economy and law for Artists

Gertrud Sandqvist Close Readings. To See and to Be

P-O Persson Plastic

Ella Tillema Seriegraphy

PO Persson, Robert Moreau Scale Modelling

Stefan Klaverdal Sound Art and Digital Sound: Sound Art / Sound Scape / Noise / Electro Acoustic Music / Sound and Music

Vaginal Davies Platinum Jungle - Screen Godesses Caught Between Black and White

Haegue Yang "Relatives" and "Formats" for One´s Own Practice

Joachim Koester, Erik Granly Jensen  Shamanism, Hashish and Obtuse Meaning

Gertrud Sandqvist Close Readings. Taking it Apart and Putting it Back Together - What Were the Postmodernists Really Doing?

Gertrud Sandqvist Analyzing Your own Work Gertrud Sandqvist

Jurgen Bock Is the Post- in Postmodernism the Post- in Postcolonial? 

P-O Persson Plastic

P-O Persson, Robert Cassland Welding

Stefan Klaverdal Applied Sound, Sound Art, - Sound Installations, Interaction with Computers, Sound and Video

Nathalie Melikian History of Experimental Film

Maria Hedlund, Margot Edström, Madeleine Bergquist, Anders Kreuger, Trond Lundemo, Gertrud Sandqvist The Movement. A Movement in Time

Viktor Kopp Painting Course

Joachim Koester, Anders Kreuger Technologies of the Self

Måns Holst-Ekström Art History 1: Classical Antiquity

Gertrud Sandqvist Close Readings: Agamben and Bare Life

Haegue Yang Around Photography

P-O Persson, Roobert Cassland Casting Course: Bronze / Aluminium / Silicone

Margot Edström Video Course

Joachim Koester Showing and Talking Art

Gertrud Sandqvist Foucault Tool Box

Silja Rantanen Art History: Lectures on Modernist Painting

Gertrud Sandqvist Analyzing Your Own Artistic Work

Jürgen Bock KUNO-Course: Time / Space / Audiences

Derek Holzer, Rune Søchting, Jonas Olesen MFA Nordic Sound Art:Session 1, Malmö

P-O Persson Plastic

P-O Persson, Robert Cassland Welding

Maria Hedlund, Annika Eriksson, Sophie Ljungblom Perform, An Investigaton Into the Concept of Performance and its Possible Contents

Haraldur Jonsson The Texture of Language

Silja Rantanen The Art History of Modernism Seen Through a Painter´s Temper

Nathalie Melikian History of Experimantal Film

Joachim Koester Showing and Talking Art

Geza Antal Economy and Law

Andrea Ray  Destroy: She said:Inter Arts Discourse and Production

Gertrud Sandqvist A New Way to Understand Art in Relation to Politics

Gertrud Sandqvist Feminisms

Maj Hasager, Frans Jacobi, Joachim Koester, Jeuno JE Kim, Jermiah Day, Matts Leiderstam On Artistic Research

Michelle Eistrup, Tijana Miśković Moving Towards A New Insight Into Present Postcolonial Thinking Through an Understanding of West Africanmand Caribbean Spirituality

Marc Herbst Growing Critical Dialogs

Maj Hasager The Power of Imagine Makinga Two-Part Seminaron Representation and Image Making

Jeunom JE Kim Storytellers on Storytelling

P-O Persson, Robert Cassland Casting Course: Bronze / Aluminium / Silicone

P-O Persson, Robert Moreau Scale-Modelling

Margot Edström, Torbjörn Milneur Staging, Lighting and Filmic Conversations

Ella Tillema Screen-Print

Joachim Koester, Lars Bang Larsen The Stars Down to Eart - the Subtile Histories of "the Vibe"

Viktor Kopp Painting Course

Andreas Eriksson, Viktor Kopp The Empty Picture

Gertrud Sandqvist Language Games

Matts Leiderstam, Gertud Sandqvist Painting in Digital Times

Gertrud Sandqvist Analyzing Your Own Artistic Work

Sarat Maharaj Cultural Translation i the Age of the Global Assembly Line

Gertrud Sandqvist The Great Utopian Texts

Learning Site (Rikke Luther & Cecilia Wendt) How Do We Work?

Jürgen Bock On Art, Around Art and Beyond Art,

Jeremiah Day Performance, Lectire

What, How and for Whom/WHW ART Always has its Consequences

Lisa Le Feuvre Failure

Jeuno JE Kim Pedagogy on Pedagogy

Stfan Klaverdal, Mathias Kristersson, Jonas Olesen Theory and graphic Scores, Workshop, Nordic Sound Art

P-O Persson Plastic

P-O Persson, Robert Cassland Welding

Haraldur Jonsson Body and Surrondings

Margot Edström, Maria Hedlund Islands

Jimmie Durham Sculpture Course with Jimmie Durham

Viktor Kopp Place, Space and Gaze

Matts Leiderstam, Cecilia Widenheim Self-Portrait / Self-Image

José Tómas Giraldo Text Affairs

Joachim Koester Showing and Talking Art

Linda Norden Expanded Expansion: A Very Selective Seminar on Some Art

Geza Antal Economy and Law

Beata Fransson The Photographic Portrait: Sight, Identity and Modernity

Gertrud Sandqvist Occult Texts

Ann-Mari Edström Pedagogical Workshop

Maria Fusco Oh! What a Blow That Phantom Gave Me - Contemporary Art Writing

David Cuartielles 1Bit Sound

Margot Edström After Effects Course - Including 1 Day Introduction to Basic Modeling in 3D (Autodesk Maya)

P-O Persson, Robert Cassland Casting Course: Bronze, Aluminium, Silicone

Joachim Koester Practising without a Licence - Strategies and Means in Contemporary Film and Video Art

Jürgen Bock À La Recherche du Temps Perdu / Rememerence of Things Past

Andrea Ray HerlandTheirland

Gertrud Sandqvist Benjamin - Adorno, the Thinkers that Created Critical Theory

Gertrud Sandqvist Analyzing Your Own Artisitc Work

Magnus Bärtås Work Stories

Margot Edström, David Krantz Autodesk Maya and 3D Print Course - Virtual Objectand "Physical" Lighting

P-O Persson Plastic

P-O Persson, Robert Cassland Welding

Nathalie Melikian History of Experimental Film

Ieva Misevičiūtė, Michael Portnoy Tofonorch Performance Training

Mathias Kristersson, Stefan Klaverdal (Sound)-Art Originating in Text, Language, Speech, and Instructions

Maria Hedlund, Ella Tillema, Daniel Peder Askeland, Matilda Plöjel, Simon Rees ARTIST BOOKS AND Screen Print

Geza Antal Economy and Law Solfrid Söderlind The Monday watch - Art Museums Behind the Scenes

Gertrud Sandqvist Against Method,

Sarat Maharj Cultural Translation in the Global Assembly Line

Jeremiah Day Testify - the Non-Fictional Methods, Materials, Models

 Kristina Lee Podesva Image - Sic - Text (Image- Thus - Text)

Andrea Ray Body Surfing - a Course on Feminism,

Alanna Lockward Afropean Decolonality in the Art Plantations of Modernity

Anne Holmfred QualitativeMethods andValidity

P-O Persson, Robert Cassland Casting Course: Bronze / Aluminiumn / Silicon

Margot Edström Kinetics and Gesture - Advanced 3D coursein Autodesk Maya

Ieva Misevičiūtė, Michael Portnoy Expressivities

Jürgen Bock Thinking the World

Linda Norden Gesamtkunstwerke

Gertrud Sandqvist Friedrich Nietzsche - Experimenting with Ideas

Gertrud Sandqvist Analyzing Your Own Artistic Work

Apolonija Šušterśič Politics "in Space" - Reading the Critical Spatial Practice

Matts Leiderstam, Maj Hasager, Laura Hatfield - Group Critique Leraning Site

Rikke Luther & Cecilia Wendt How do We Work? How do We Learn?

Katrine Hjelde Reflexive Sites: Located Practice

Maria Fusco Writning Art

CPS Students Collective Approaches to Learning (the Dog Show)

Ioanamaria Cojocariu & Maria Draghiol Individual Workshop: Diong Research Without an object or a Movie Without a Script

Marion von Osten An Educational Turn?

Maria Hedlund, Anna Bokström Copy - Interpretation

Emily Wardill Improvisation in relation to Narrative Film: Like the Walls to My House

Matts Leiderstam Landscape (Seen / Scene)

Joachim Koester Imaginary Exhibitions -The Spaces

Stefan Klaverdal Sound Art and Digital Sound, Sound Art - Soundscape Noise - Electroacoustic Music- Sound and Video

P-O Persson, David Nilsson Plastic

P-O Persson, Robert Cassland Welding

Margot Edström, Olof Broström 3D Pronter Basic Modelling Course

Geza Antal Economy and Law

Nathalie Melikian Why Do You Think Your Video is Art?

Gertrud Sandqvist Ecriture Feminine

Ann-Mari Edström & Neil Mulholland Artist Teaching Artists to Explore Pedagogical Discoursefrom the Position of The Artist

Ann-Mari Edström Pedagogical Workshop: Part 1 of KUNO Course "Artists teaching Artists"

Neil Mulholland Pedagogical Workshop: Part 2 of KUNO Course "Artists teaching Artists"

Kristina Lee Podesva Artists Writings Internship

Ieva Misevičiūtė Cascade of Ideosyncrasies

Margot Edström, Maj Hasager, Joachim Koester Imaginary Exhibitions - The Gestures

P-O Persson, Roberty Cassland Casting: Bronze / Aluminium / Silicone

David Nilsson Plastic

P-O Persson, Klara Kristalova Ceramics

Gertrud Sandqvist, Viktor Kopp Between Painters

Gertrud Sandqvist Psychoanalysis a Manual

Linda Norden The Responsibility of Forms

Jürgen Bock From Frantz Fanon to Adam Curtis

Gertrud Sandqvist Analyzing Your Own Artistic Work

Emily Wardill The Use of Enchantment

Georgia Holz Why have there been no great woman artists?

Maj Hasager, Laura Hatfield, Marie Thams Cut Through the Text

Susan Jahoda, CarolineWoolard Supply chain art(ists) FREEE:

Mel Jordan, Andy Hewitt, Dave Beech Cutting Publics Out of Communities

Gulsen Bal,Walter Seidl,Regine Dura, Hans-Werner Koesinger Study Trip to Graz, Austria – Back to the Future: Steirischer Herbst

Alanna Lockward, Jeannette Ehlers Afropean Film

Matts Leiderstam & Maj Hasager The Archive – Documents, Objects and Desires 1

Geza Antal, Popjuristen - Anne Holmfred Ekonomi & juridik

Ieva Misevičiūtė Cascade of Idiosyncrasies

Tiril Hasselknippe Sculpture

Joan Jonas, Nathalie Melikian Symposium med Malmö Konsthall och Det kongelige Danske Kunstakademi om Joan Jonas Joachim Koester, Lui Mokrzucki,

Sophie Ljungblom 16mm film - the fundamentals

Joachim Koester and Liz Kinoshita The movements, the score and the exhibtion space

Margot Edström & Maria Hedlund, Lightsetting and narratives

Margot Edström 3D modeling and scanning for printing

Emily Wardill, Gertrud Sandqvist & Martin Clark Some Roses and their Phantoms

Emily Wardill PO Persson & David Nilsson Plastic

Klara Kristalova Ceramics

PO Persson Welding

Gertrud Sandqvist To write about your own work

Gertrud Sandqvist Artist role through 200 years

Gertrud Sandqvist Analyze your own work

Jeremiah Day Real-Time Composition vs Didactic Transmission

Matthew Rana & Laura Hatfield Track changes: Collective Editorial Processes Felicity Allen Pedagogy as medium or tone in artistic and curatirial practice

Study Trip to Italy – Cultural Documents

Kirsty Bell Everyday Matter in Exhibition Making

Tiril Hasselknippe Science Fiction

PO Persson & Robert Cassland, Silicone & Bronzecasting

David Nilsson Plastic

Viktor Kopp Painting

Gertrud Sandqvist Male Fantasies and Powers of Horror

Jurgen Bock The Great Rift

PO Persson & David Nilsson Plastic

Margot Edström 3D Animation and Printing Course

PO Persson & Robert Cassland Welding

Maria Hedlund, Ulf Stålhane Imitation and Interpretation

Ieva Misevičiūtė Cascades of Idiosyncrasies

Christina Wainikka Economy and Law for Students

Michael Portnoy Mishandling the Tools of Humour/Experimental Sketch Pilot

Matts Leiderstam (Plus guest: Laura Hatfield) The Museum

Gertrud Sandqvist Analysing Your Own Artistic Work

Maria Fusco, Craig Martin Object/Writing/Movement

Lisa Nyberg Agency in the Classroom

Laura Hatfield, Hans Carlsson, Matthew Rana Research Proposal for Exam Work

Maj Hasager, Laura Hatfield, Hans Carlsson (Guests: Gert Biesta, Laura Carr, Josefin Snygg, Cristina Gomez Barrio, Barbara Mahlknecht) Pedagogy Intensive

PO Persson & Robert Cassland Bronze/Aluminum/Silicone

Joachim Koester, Ulrik Heltoft Workshop in Scanning and Digital Printing

Gertrud Sandqvist Walter Benjamin: A Prism

PO Persson & David Nilsson Plastic

Chuva Featherstone Introduction to Screenprinting

Sarat Maharaj (Plus Guests: Paul Gilroy, Thomas Higham, Franco Farinelli, Betty Govinden, Angela Ferreria and Jurgen Bock) The World Turned Upside Down: Art and Ethics in the Rise of the "Stone Age South"

Emily Wardill Close Up

Joachim Koester, Sophie Ljungblom 16 mm Film - The Fundamentals

PO Persson, David Nilsson Plastic

Christina Wainikka Economy and Law for Students

Viktor Kopp, Alfred Boman, Elisabeth Frieberg, Paul Fägerskjöld Mini Seminar for Painters

Maria Hedlund, Johan Österholm Photography - Creative Perspectives

PO Persson, Margit Brundin Ceramics Tobias Sjöberg, Iris Johansson On the Invaluable

PO Persson, Robert Cassland, Ariel Alaniz Welding

Margot Edström Basic e3D - Make a 3D Scan of a Real Object, Learn to Light, Shade, and Render, Make a 3D Print

Ieva Misevičiūtė Power Trip

Gertrud Sandqvist The Societal Analysis of Refugees

Matts Leiderstam, Maj Hasager Practise Practice Hannah Jickling, Helen Reed Weird Charisma Hans Carlsson (Guest Lecturers: Silvia Federici, Diana Mulinari, Gertrud Sandqvist, Fredrik Svensk) After Critique - Perspectives and Genealogies from Critical Theory)

Maj Hasager, Laura Hatfield (Guest lectures and activities with: Sarat Maharaj, Joseph del Pesco, Sisters Academy, Jakob Jakobsen, Lisa Nyberg, Ana María Bermeo Ujueta, Atoosa Farahmand) Enrolling the Unknown Part I

Laura Hatfield, Matthew Rana Enrolling the Unknown Part II (written assignment)

PO Persson, Robert Cassland Moulding: Bronze/Aluminum/Silicone

Gertrud Sandqvist Percept, Affect, Concept

PO Persson, David Nilsson Plastic

Jürgen Bock Close Readings on the Zeitgeist, or à la recherche du temps perdu

Ieva Misevičiūtė Power Trip II

Tim Bishop Kinaesthetic Audio

Ulf Peter Hallberg, Gunilla Palmstierna Weiss The Aesthetics of Resistance: Europe - Art, Literature, Theatre

Simryn Gill Working with Materials

Temi Odumosu Rethink, Undo, Remake, Let Go: Towards a Decolonial Praxis

Laura Hatfield, Matthew Rana Track Changes 2.0: Collective Editorial Processes

Maj Hasager (plus guest lecturers: Mikkel Bolt, Johanne Løgstrup, Tim Smith) Outlines and Movements

Maj Hasager, Laura Hatfield Schools of Tomorrow 

Gertrud Sandqvist Roles of the Artist: Part of Foundation Course Autumn/Konstnärsrollen genom 200 år

PO Persson, Robert Cassland, Ariel Alaniz Welding Margit Brundin Ceramics

PO Persson, David Nilsson Plastic

Katarina Renman Claesson Economy and Law for Students

Patrik Elgström The Analogue Black and White

Process Emily Wardill This is the land with no path

Michael Portnoy A Room with New Rules

Katy Deepwell Feminist Knowledge Production

Laura Hatfield, Niels Henriksen, Joachim Koester, Matts Leiderstam, Sarat Maharaj, João Penalva, Silja Rantanen, Gertrud Sandqvist, Emily Wardill Correspondences

Betty Govinden Let My People Go: Reimagining the Politics of Identity -- Selected Perspectives from South Africa

Matts Leiderstam The Grid: Abstraction in Painting

Gertrud Sandqvist Analysing Your Own Artistic Work

Felicity Allen The Disoeuvre

Maj Hasager, Laura Hatfield (Plus guests: Simona Dumitriu and Ramona Dima, Elizabeth Sweeney, Michala Norup, Jonna Pettersson, Barbara Mahlknecht, Maaike Muntinga and Lina Issa) Pedagogy Intensive

Maj Hasager, Laura Hatfield, Matts Leiderstam Research Proposal for Exam Work

PO Persson, David Nilsson Plastic

PO Persson, Robert Cassland Casting: Bronze, Aluminum, Silicone

Tim Bishop Kinaesthetic Audio

Kira Nova Power Trip

Gertrud Sandqvist Close Readings: Hannah Arendt

Maria Hedlund, Johan Österholm Documenting Your Artworks: Practical Photographical Course

Margot Edström The Basics of Colour Correction, Grading and DaVinci Resolve Workflow

Katy Deepwell Feminar Reading Group

Gertrud Sandqvist Roles Of The Artist: Foundation Course

PO Persson, Robert Cassland, Ariel Alaniz Welding

PO Persson, David Nilsson Plastic

Katarina Renman Claesson Economy and Law for Students

Kirsty Bell Forensics of the Readymade

Emily Wardill, Guests: Adrienne Drake, Pavel S. PyśCarla Zaccagnin Close Up

Joahim Koester, Sophie Ljungblom, Youngae Lih, 16 mm Film: The Fundamentals

Tobias Linné Online Cultural Wars: Transgression, Hegemony, and the Arts

Professor Gertrud Sandqvist, Guest Teacher Stephan Møller The Unconscious Is Structured Like a Language

Joachim Koster, , Maj Hasager,Some Tools of the Trade: The Business and (Self-) Organisation of Being an Artist

Gertrud Sandqvist  Analysing Your Own Artistic Work

Kira Nova  Performance Course

Gertrud Sandqvist, Guest Teacher Stephan Møller Georges Bataille, from Abattoir to Vulva

Michael Portnoy An Unideniable Hit

Rosa Barba Setting a Performative Frame

P-O Persson, Guest Teacher Robert Cassland Casting: Bronze, Aluminium, Silicone

Lena Johansson Painting, Techniques, and Materials

Maria Hedlund Guest Teacher Johan Österholm Documenting Your Artworks

PO Persson, David Nilsson Plastic

Fredrik Værslev  What Does It Mean for a Painter to Talk?

Stephan Møller, Gertrud Sandqvist On a meandering path with Jacques Derrida

PO Persson, David Nilsson Plastic

PO Persson, Robert Cassland, Ariel Alaniz Welding

Alejandro Cesarco Ghosts, Haunting, Appropriation, Reenactment

Katarina Renman Claesson Economy and Law for Students

Michael Portnoy  Hocket (the music video)

Beata Fransson & Katarina Elvén It's Time to Kill the Infinite Scroll–the photographic medium’s ideological terrain

Karin Auran Frankenstein Ceramics

Hans Carlsson Criticism, Essayism and Artist’s Writings

Runo Lagomarsino On materiality

Fredrik Vaerslev Painting in pandemic times

Marie Muracciole The artist, the researcher: about darkness